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(Only two, Black KKKlansman and the as-yet-unreleased Under the Silver Lake, were from the United States.) In addition to Koreeda Hirokazu’s highly regarded Shoplifters and Lee Chang-dong’s Burning, Shin’ya Tsukamoto’s Killing, Ryûsuke Hamaguchi’s Asako I & II, Zhangke Jia’s Ash Is Purest White and Bi Gan’s Long Day’s Journey Into Night also did well in international competition. Chu’s money-maker, Crazy Rich Asians, gave Hollywood studio executives one fewer excuse for not financing films of interest to Asian-American audiences.

(Best Picture-winner Green Room got its fair share of attention in the U.

He keeps one foot in Seoul and the other in his hometown, near the border with North Korea, where he maintains a barn containing a single calf.

It’s in the latter, where Jong-su seems happiest and most self-assured.

— Burning might have finished in a dead heat with Shoplifters and Roma.

Like so many of the best movies from foreign countries, Burning took an emotionally and philosophically literary work and boiled it down to its essence.

Just after stepping off a train in the capital, he notices something familiar in one of the young women promoting a street raffle, in cheerleader outfits.

Turns out, Haemi (Jun Jong-seo) grew up in the same city and remembers Jong-su as a long-ago playmate.

all along, looking to be as unaffected by fame as any boy’s band graduate (Marky Mark and the Funky Bunch), underwear model (Calvin Klein) and juvenile delinquent could possibly be. Instead of being incinerated in one of the planes that crashed into the Twin Towers that day, he decided a few days earlier to cancel his ticket and travel west on a private plane.If his infectious smile appears to have been built into his face, it might be related to the good fortune of being one of the few travelers booked on a Flights 11 and 175, leaving Boston for L. Wahlberg went on to become the highest-paid actor of 2017, earning million.Instant Family marks Wahlberg’s third collaboration with co-writer/director Sean Anders – Daddy’s Home (2015) and Daddy’s Home Two (2017) – whose experiences as an adoptive parent of three Hispanic children inform the story.Working from the story “Barn Burning,” by Haruki Murakami, Lee and co-writer Oh Jung-mi enhanced the story’s fictional narrative with the kind of visually poetic and texturally relatable elements that honor the source material, as well as the filmmakers’ imagination.The acting couldn’t be more naturalistic or compelling.

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